Liquid Sky furniture by JAM KOLEKTYW - JAM KOLEKTYW WORKPLACE MEETING ROOM 03 31

Liquid Sky furniture by JAM KOLEKTYW

Case Study

Minimalistyczna kolekcja mebli o płynnych liniach

Jam Kolektyw

Liquid Sky furniture by JAM KOLEKTYW - JAM KOLEKTYW WORKPLACE MEETING ROOM 03 53

Lokalizacja

Warszawa, Polska

Material

Dekton

Kolor

Liquid Sky

Grubość

20 mm

Architecture / Design

Jam Kolektyw

Zastosowanie

Stoły, stoliki kawowe, stół konsolowy

End date

2021

Wyjątkowe i inspirujące meble Jam Kolektyw

Jola Skóra i Anna Olga Chmielewska, założycielki agencji kreatywnej Jam Kolektyw, wykorzystały swoją wiedzę z zakresu architektury i wzornictwa w praktyce, wprowadzając na rynek własną kolekcję mebli. Dwa modele stołów i konsolka tworzą kolekcję, w której głównym materiałem jest oryginalny kolor Dekton Liquid Sky.

„Od dawna uwielbiamy marbling, czyli technikę, w której farby nanoszone na powierzchnię wody tworzą obraz, który następnie w formie jednorazowej odbitki przeniesiony zostaje na papier. Wzór proponowany przez markę Cosentino jest nawiązaniem do tej techniki jednak został utrwalony na materiale nieporównywalnie trwalszym. Dekton Liquid Sky skradł nasze serca od razu.” – wyjaśniają projektantki. „Pokochałyśmy go za to, że nie udaje tego czym nie jest, nie imituje kamienia naturalnego, ale jest jego artystyczną, autorską interpretacją”.

Liquid Sky furniture by JAM KOLEKTYW - JAM KOLEKTYW WORKPLACE POPUP 06A 55

Stół o wielu twarzach

Największym elementem kolekcji jest duży, blisko 2-metrowy, stół w odcieniach bieli i szarości, który unosi się na konstrukcji białych, stalowych nóg. Blat Liquid Sky nadaje temu imponującemu rozmiarami stołowi lekki, wirujący, marmurkowy wygląd, a jego odcień jest hołdem dla wirującej, nieustannie poruszającej się energii. Projektantki wykorzystały go w swojej śródmiejskiej pracowni jako centrum organizacji spotkań, kameralnych warsztatów oraz prezentacji nowych produktów.

Zastosowania do wnętrz i na zewnątrz

To nie tylko ciekawy stół do pracy, ale również świetny mebel do jadalni. Materiały, z których jest wykonany są niezwykle wytrzymałe, więc swobodnie można wykorzystywać go we wnętrzach i na zewnątrz. Nowoczesna i minimalistyczna stylistyka mebli nie oznacza, że kolekcja zarezerwowana jest jedynie dla przestrzeni w podobnym stylu. Wręcz przeciwnie. Najlepszym przykładem jest przestrzeń wybrana przez projektantki do prezentacji kolekcji – stara, warszawska kamienica, gdzie celowo zachowały oryginalne elementy, połączyły formy, kolory, faktury i dodatki z różnych konwencji estetycznych.

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„Dekton doceniamy za wyrafinowanie i funkcjonalność. Tego rodzaju rozwiązań szukamy – dobrego wyważenia pomiędzy estetyką a komfortem użytkowania.”
Jola Skóra i Anna Olga Chmielewska

Jola Skóra i Anna Olga Chmielewska

Stoliki kawowe i konsole

Kolejną częścią kolekcji są dwa stoliki kawowe o subtelnym i lekkim metalowym stelażu, a także niewielka konsola w tej samej stylistyce. Ich forma została zaprojektowana z założeniem pełnej swobody aranżacji, dzięki czemu doskonale pasują do różnych przestrzeni. Stoliki mogą być wykorzystane jako pojedyncze elementy wystroju, doskonale wyglądają też razem, tworząc dwupoziomowy zestaw. „Od jakiegoś czasu poszukiwałyśmy odpowiednich form mebli, które sprawdzą się we wnętrzach o różnej stylistyce – od klasycznych po autorskie, eklektyczne. Nie udało nam się znaleźć wymarzonych rozwiązań, więc postanowiłyśmy je zaprojektować. Tak powstała kolekcja, która mamy nadzieję z czasem będzie się powiększała o kolejne elementy.” – podsumowują projektantki.

Materiały Cosentino użyte w tym projekcie

Liquid Sky

Liquid Sky

DEKTON

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Unique materials for a highly versatile house - SAN JUAN DE LA SALLE 2 76

Unique materials for a highly versatile house

Case Study

Unique materials for a highly versatile house

Villalón Studio

Unique materials for a highly versatile house - SAN JUAN DE LA SALLE 2 98

Lokalizacja

Madrid

Material

Dekton / Scalea Natural Stone

Kolor

Taga / Trav Romano

Zdjęcia

Montse Garriga

Architecture / Design

Villalón Studio

Zastosowanie

Kitchen island | Table

End date

2020

Styling

Beatriz Aparicio

A home with plenty of light

Natural light is the main feature of this 230 m2 family home located on Calle San Juan de La Salle in Madrid. The Villalón Studio team needed to create functional and versatile spaces that could suit all members of the family, regardless of the occasion or time of day. To this end, the abundance of light entering the house, thanks to its position, has been key to optimising the space to the maximum and making the most of each room.

For the dining room, María Villalón and her team opted for light cream and grey tones, both for the upholstery of the sofas (Tapicerías Ilarcuris) and the rugs as well as for the walls, flooring and furniture, while darker colours were used for the wood in some of the chairs and for a small bar designed to make and serve cocktails, one of the owner’s passions. Furthermore, rattan plays an important role, as it is found in the doors of the auxiliary unit situated in one of the sides, as well as in the screens, designed by Pablo Yubero, which act as mobile separators that can adapt the room and the lighting, depending on the desired intimacy or openness.

A large travertine table has been chosen as the centrepiece. A unique piece that undoubtedly draws all the attention and gives this space a great prominence, due to the exclusivity and originality of natural stone. The result is a welcoming, ever-changing and stylish space in which works of art such as those by the Gärna Art Gallery and Beatriz Aiguabella add a touch of colour.

An island that brightens up the kitchen

In the kitchen, maximum use has been made of the space, with an island designed with Dekton Taga, from the Stonika Collection, which is characterised by its blend with nature and its high-shine colours. Taga is a greyish colour with marble-like crystalline veining inspired by the Taj Mahal quartzite, which features all the advantages of Dekton surfaces, such as high resistance to stains, high temperatures, scratches and impacts.

On the island, made by Mármoles Cuesta, is the hob and sink area, followed by a small wooden kitchen diner next to some chairs, where you can eat with the family, have a drink with guests while cooking or use it for any other purpose.

The same natural and minimalist style has been used for the bedroom and bathroom, with the main focus on natural elements such as wood in tables and seats, and organic fabrics in cushions, headrests or curtains. In addition, the natural light that enters through the large windows is, once again, the best ally of the spaces, helping to bring dynamism and spaciousness to every corner of this home.

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'Although wood is the main material, it is combined with other materials such as rattan, natural stone or Dekton (in the kitchen island), which allow connect all spaces in the same chromatic range.'
María Villalón

María Villalón

Architect and interior designer

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A house where natural stone resists staining

Gärna Studio

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Lokalizacja

Madrid

Material

Sensa

Kolor

White Macaubas | Taj Mahal

Architecture / Design

Gärna Studio

Zastosowanie

Kitchen island | Flooring | Bathroom countertop

End date

2020

Casa Decor, the discovery that shaped a house

The owners of this house were very clear when they visited Casa Decor 2020: they wanted a kitchen with the White Macaubas quartzite by Sensa and they wanted their home to be designed by Gärna Studio.

The couple, with 3 independent children, needed an open plan home with spaces that flow and communicate with each other. A cosy house to welcome their children and grandchildren and spend time together. These were their requests to Laura and Enrique of Gärna Studio, an architecture and interior design studio that the couple already knew well thanks to other projects that the architects and designers had carried out.

The project had two clear objectives: to create versatile spaces that could be used at different times depending on the needs; and to achieve a sense of unity in its design, with little variation in terms of elements and textures. To achieve this, Laura and Enrique looked for materials that were easy to fit and that would serve as a guiding thread between the different spaces. “We also played with different ceiling heights and lighting to achieve a greater sense of spaciousness and functionality, creating a welcoming atmosphere”, says Enrique García, architect and project manager at Gärna Studio.

The kitchen was the key to achieving a welcoming home. “They stressed the importance of the kitchen as a family meeting place to chat and share, and the desire to have an island to sit around while preparing meals”.

The couple visited the Casa Decor 2020 exhibition in search of inspiration and it was there that they fell in love with White Macaubas, the quartzite by Sensa that Gärna Studio had used in their ‘Narciso’ project. Being a natural stone, they were initially unsure about its use in the kitchen, but Laura and Enrique explained the benefits of Sensa’s anti-stain protection, which offers the possibility to enjoy the most unique designs of nature in every space of the house. Thus, this quartzite became the absolute protagonist of the kitchen, covering the central island and part of the floor.

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Natural beauty

For the bathroom in the master bedroom they also opted for Sensa. In this case, the colour chosen was Taj Mahal, an off-white background crossed by soft brown veins. The bathroom countertop, together with the surrounding elements, such as the wallpaper with plant motifs or the wooden furniture, create a pleasant feeling of contact with nature.

The customers wanted a house that was modern but also timeless, so they went for a refined, architectural design with straight lines, based on natural materials such as stone and wood, to which they added powerful and colourful works of art. “Studying the best materials to meet the specific needs of this family made the project very enriching”, says Gärna Studio.

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“Sensa is a ‘lifesaver’. As designers, we have a tendency to the purity of natural materials, and Sensa provides us with a technical solution to use them in places like kitchens and bathrooms without fear of staining”.
Gärna Studio

Gärna Studio

Architecture and interior design studio

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Haute design for all the family

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Lokalizacja

Madrid

Material

Dekton

Kolor

Kelya

Architecture / Design

Gärna Studio

Zastosowanie

Kitchen island  

End date

2020

Versatility as a home philosophy 

A house for everyday life with children, spaces for meeting friends and a vision for the present and the future in every corner. These were the requests of the owners of this house located in Madrid, whom Laura and Enrique of Gärna Studio accompanied throughout the entire process, from the purchase itself, in which they took into account the architectural potential of the house, to the final creative touch.

The structure of this large house fitted perfectly with the classic contemporary style that the family was looking for, which aimed to create versatile spaces with a vision for the future.

“We try to create homes and spaces that can easily evolve, with well-designed and timeless elements that serve as a base on which to add decorations that adapt over time: wallpaper, cushions or a lamp”, says Enrique García, project manager and architect at Gärna Studio.

The first floor is very spacious and bright and features interconnecting rooms. This area is devoted to daytime living and includes the living-dining room, which has a small bookcase on one of its sides and a fireplace clad in natural stone that helps to create a cosy and homely atmosphere.

The centre of attention: the kitchen island 

From the living-dining room we can see the centrepiece of the kitchen, a large central island in Dekton Kelya. The majestic island was designed by Gärna Studio, who relied on the versatility and uniqueness of Dekton for its successful design.

“We were looking for a powerful element that would be able to reflect our connection to art”, says Enrique.

The kitchen was key for this family, as they were looking for a place to share time, eat, welcome guests or do homework with the children. In addition, its visual perspective from the living room and the terrace offered the possibility to show its importance, both in terms of functionality and design.

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“The fabricator recommended Dekton for the kitchen island, as it is a very easy material to work with. Thanks to its strong personality, the Kelya colour was perfect for us.``
Gärna Studio

Gärna Studio

Architecture and interior design studio

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The perfect solution for an extra large house

Raúl Martins

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Lokalizacja

Madrid

Material

Dekton

Kolor

Keranium

Grubość

2 cm

Architecture / Design

Francisco Noguera I Raúl Martins I Fernando Pozuelo

Zastosowanie

Large format flooring

End date

2020

Pictures

Manolo Yllera

Entente cordiale

The owners of this house, located in a privileged position near Madrid, had been living in the USA for many years. When they came back to Spain, they were very clear about three things: they wanted a house in which black tones stood out, both in the architecture and interior design, that reflected the North American volumetric codes and that was very well interconnected. They needed the architect, interior designer and landscape designer teamed up to give meaning to the project. “As they had been living abroad for a long time, they didn’t know exactly who would be able to meet their demands, so they decided to launch a tender”, explains interior designer Raúl Martins.

“Although we were given total freedom to propose different solutions, they were strict about the colour. Obviously, such requirements can make a project more complicated, but also much more interesting. I believe that an architect or interior designer has a duty to be empathetic with the customers and to look for the best solutions to meet their needs”. In the search for these solutions, the collaboration with architect Francisco Noguera was key. The design of the space was complicated at an architectural level, as it was necessary to minimise the impact of a black exterior in a sunny city like Madrid, but also at a volumetric level.

“It was very enriching working with Francisco. I love the architects’ view of scale, the importance they give to finishes and their concern for the interaction between materials”, says Raúl. This was especially important in the common areas of the house, where the architecture is sometimes more similar to that of a hotel, with ceilings of up to 5 metres. “The works were difficult. It took two and a half years to complete. But the result was better than the owners expectations. They were delighted with the integration between the shape of the building itself, which has a surface area of 2,200 m2, the interior design and the landscaping work by Fernando Pozuelo, which gave context to the whole”.

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Large proportions, large formats

The large open areas required a large-format floor to emphasise the generous proportions. It also needed to be very hard-wearing and feature a range of black tones and subtle veins. “Given all these limitations, I decided to visit Cosentino City Madrid. As always, the team of advisors helped me to find a selection of samples suitable for the project”, he explains. They finally opted for a floor in Dekton Keranium, which with its 320 x 144 cm format and matt finish, achieved the desired effect.

The high resistance to scratches and stains of this ultra-compact surface, together with the possibility of a clean installation and minimal joints, made Dekton the most suitable material for a living area designed to welcome guests.

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“The team of advisors at Cosentino City Madrid helped me to find the most suitable material for my customers needs”.
Raúl Martins

Raúl Martins

Interior designer

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LOFT Series

5 NEIGHBORHOODS. 5 WAYS OF LIVING GLOBALLY.

We invite you on a journey through the architectural and the sensory, a voyage to the heart of urban style, guided by Loft, a series that brings to life the design, character, and essence of five iconic neighborhoods around the world.

Let’s begin our journey in England, among the bustling grey of Camden. We will make the most of our trip through Europe and enjoy colors under the Mediterranean light of Poblenou. We will leave the old continent behind and head for New York, where we will walk through Seaport, a color full of marine efflorescence, and then venture into Manhattan to visit the daring and sophisticated Nolita. Our chromatic and sensory journey will culminate in Detroit, in the ever elegant and unique Corktown.

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Silestone’s 5 new colors are inspired by concrete, a material capable of instilling emotions through its textures, finishes, and shades, creating a new relationship between people and objects. A new soulful identity is born, in which materials come to life in their rawest form. Let’s get started.

01/CAMDEN

Rusty tones, steely shades, and the wear and tear of living spaces have inspired Camden. A soft, delicate, homogeneous grey, with a fine grain and a very subtle white veining. Camden is cement grey. It is a versatile, adaptable color, easy to incorporate with any decoration.

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02/POBLENOU

Poblenou is a warm, smooth, shade of grey, with very subtle veins on its surface. A matte color reminiscent of Mediterranean sand. The ideal tone to use in a day-to-day family atmosphere.

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03/SEAPORT

Seaport is a complex grey full of possibilities. It recreates a dark cement color with a worn charm. Its hazy white shade invites you to explore different atmospheres, offering a unique proposition. It is an eccentric color, with personality, ready to satisfy the most demanding preferences.

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04/NOLITA

Nolita is a white color with interesting variations of neutral grey tones. It combines especially well with open spaces, where purity and calm are sought, walking hand in hand with art and avant-garde.

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05/CORKTOWN

Its deep grey is ideal to combine with aged materials, such as exposed brick and subtle oxidized colors. Open-grained wood combines perfectly with Corktown to create elegant and mature spaces, and colors such as dark green, and deep grained stone help establish the soft lighting that is characteristic of sophisticated spaces.

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Znajdź inspiracje dla siebie w naszym Trendbooku Silestone LOFT

Projekty Silestone® z serii Loft zostały zarejestrowane przez Cosentino S.A.U.

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Bardziej naturalna. Bardziej zrównoważona. Bardziej ekologiczna.

Innowacyjna generacja powierzchni o hybrydowej formule opracowanej na bazie minerałów i szkła z recyklingu. Proces produkcyjny napędza energia odnawialna, woda w 98% poddawana recyklingowi, a także filozofia firmy Cosentino, która dąży do pełnego obiegu zamkniętego.

Nowa generacja zachowuje 25-letnią gwarancję jakości Silestone.

HybriQ+® i HybriQ Technology® są zarejestrowanymi znakami towarowymi Cosentino S.A.U.
HybriQ+® i HybriQ® zawierają opatentowane lub zgłoszone do opatentowania technologie.

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How façade expert Friedrich Scharl reduced weight and costs with Dekton on KAP WEST in Munich

Interview with architect Walter Schelle: “Dekton, aesthetic and functional” - Friedrich Scharl 267

The façade of the new office complex at the Hirschgarten in Munich has a modern, urban look. The original plans using concrete or artificial stone, however, would have made it difficult to meet the tight schedule and to keep within budget. Façade expert, Friedrich Scharl, found an alternative which impressed the architects and developers: the ultra-compact surface Dekton by Cosentino.

Mr. Scharl, you did the technical designs for the façade on KAP West. What was wrong with the original plans?

FS: The weight and the costs. The building was designed with a ventilated curtain façade. The parts of the façade with triple glazing and stone-covered pilasters would have been completely preassembled before delivery to the site and put into place – it’s a typical process that requires a lot of planning and efficiency. The original plans envisaged the pilasters to be covered by 30 mm-thick, fibre-reinforced concrete or artificial stone. This would have meant that each part of the façade would have weighed approximately 1.5 tonnes. With so much weight, handling becomes difficult and the risk of damage increases. In addition, you need an elaborate substructure. In our case, this would have put the time frame and budget at risk.

So you started looking for a lighter façade covering?

FS: Correct, we needed a material with a high-quality stone look, but one that was thinner, and therefore lighter – and all things considered, at a lower cost. And finding a reliable supplier is not as easy as it sounds. Then we discovered Dekton. This ultra-compact surface is extremely stable and at 12 mm thick, weighing 32 kg/sqm, comparatively light. Even thinner material would have been available too. However, we needed this thickness to insert an undercut anchor on the back. With this it is possible to secure the plates firmly and invisibly on the façade.

What was most convincing material wise?

FS: As well as our chosen design options we also needed approval for the façade. Dekton is certified in accordance with ETA 14/0413 and CE 1220‐CPR‐1459. During tests it was proven that the material can even withstand a scale 7 earthquake. The fire protection class is A2. What was perfect for our project was: If a plate cracks, an integrated glass fibre net ensures that the broken piece is held in place. Thanks to its ultra-compact structure, the material takes in very little water. This means extra protection against weathering such as cold, heat and thermoshock as well as increased shape stability which allows for very close tolerance gaps of just +/-0.5 mm each. As well as the quality of the material, the quality of the supplier was also important to us. Would they be able to delivery 13,000 sqm “in time and quality”?

What impressed you about Cosentino as a supplier?

FS: We went there, together with the developers, the architects and those building the façades, as well as the people from Cosentino in Germany. The production facilities in Spain particularly impressed me. Dekon is produced there at a size of 3,200 mm x 1,440 mm in a continuous process, which means that the plates of one batch have the same quality, texture and colouring. Then follows the individual cutting and post-production work, which in our case means working the edges, mitre cuts, setting the undercut anchors and the clasps. The pre-assembled parts were then stored and delivered to those building the façade piece by piece – this was extremely reliable and in the correct order, which when working with 400 different elements and approximately 15,000 covering parts is a true piece of logistical mastery.

What effect did using Dekton have on the façade?

FS: Dekton looks aesthetically pleasing and is very good functionally. With the low weight of the façade covering, even the subconstruction could be made more simply and lighter compared to the original plans. It is now self-supporting. Using the façade building app in Germany, the aluminium profiles from Wicona were planned with the glazing and insulation, the sun screens and the electrics. Finally, the prefabricated Dekton plates were hung and secured. Each part of the façade is now about one-third lighter than at the beginning of planning. Instead of 1,500 kg, the weight is just 1,000 kg, which made transport and assembly much easier.

Were you able to keep to schedule and within budget?

FS: We had two teams on site, each with three employees. They worked parallel on different parts of the building and crane-operated, placed and assembled the elements in 20-minute intervals – 2,000 elements for about 12,600 sqm of façade in just seven months. It was just like clockwork. In addition, by using Dekton instead of concrete or artificial stone, we were able to reduce the cost by about 20 percent per square metre. The developer is happy since by doing this we kept to budget and schedule.

Mr Scharl, in which situations would you advise planners to take Dekton by Cosentino into consideration in particular?

FS: Dekton should always be considered since it offers a large range of design possibilities and is lighter than stone or concrete. The ultra-compact material is also more resistant and sustainable than glass or sheet metal. What really impressed me was the ability of the company to produce around 13,000 sqm of material with the same quality, colour and texture in less than a week. Not only the production, but also the technical and logistical coordination, as well as the communication with those building the façade and us as the technicians and the architects, was very good and reliable. This is extremely important on a big project like KAP WEST, where planning security in a short time frame makes all the difference and helped all involved do a super job.

Interview with architect Walter Schelle: “Dekton, aesthetic and functional” - Friedrich Scharl 2 293
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Okko Hotel Gare de l’Est

OKKO Hotel Gare de l’Est

Studiopepe
Paris, France

Studiopepe’s design for OKKO Hotel at Gare de l’Est in Paris seeks to offer each guest a unique experience.

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© Photos: Giuseppe Dinnella

La hotel chain OKKO commissioned Studiopepe to design the lobby and ‘Le Club’ for its new place within the Gare de l’est station of Paris. A feature of all OKKOs, Le Club offers a variety of amenities to serve the needs of clients throughout the day: breakfast and supper, a lounge, business meetings, and leisure activities. The interior is a diaphanous space freely organized by mobile elements like curtains and dividers. Decorative items are added, designed exclusively for the hotel, such as the large chandelier in the lobby or the sofas, besides a selection of Italian-design furniture: San Carlo armchairs by Castilgioni, Boomerang easy chairs by Rodolfo Bonetti, and the Atollo lamp by Magistretti.

The dining area and bar, directly connected to the station, draw inspiration from the shapes of train compartments, including original pieces from the Orient Express that have been restored and incorporated either as art displays or as part of the installations. As for color, the neutral soft tones chosen for the claddings are complemented by neon lights and an illumination that varies as the day goes by, resulting in a dynamic atmosphere. The materials enhance visitors’ tactile experience: Kvadrat textiles combined with velvet, brass, and postmodern-looking surfaces made of terrazzo and linoleum.

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Hilton Spa

Cosentino Flagship Project

SIlestone ozdobą 5-gwiazdkowego hotelu Hilton w Świnoujściu

Zdrojowa Invest

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Lokalizacja

Świnoujście, Polska

Material

Silestone

Kolory

Eternal Calacatta Gold

Współpraca

Cloon

Architecture / Design

Zdrojowa Invest

Zdjęcia

JAM Kolektyw

End date

2019

Grubość

12, 20 30 mm

Komfort i ekologia pod jednym dachem

W grudniu 2019 r. znana na całym świecie sieć hoteli HILTON otworzyła w Polsce nowy obiekt, pierwszy w kraju hotel „Hilton Resort”. Jest to również pierwszy obiekt tej sieci w Polsce zbudowany zgodnie z certyfikatem ekologicznym LEED (Leadership in Energy and Environmental Design).

Hotel oferuje swoim gościom luksusowy pobyt w bezpośrednim sąsiedztwie naturalnej plaży, z wspaniałym widokiem na Morze Bałtyckie. Do ich dyspozycji są 173 pokoje i apartamenty, każdy z prywatnym balkonem. Ponadto, każdy z gości może skorzystać z oferty kilku restauracji, barów, salonu SPA, a także parku wodnego Baltic Park Molo.

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Pięciogwiazdkowy projekt wnętrz

„Projekt hotelu jest ściśle związany z otoczeniem. Wygląd budynku i jego wnętrz jest wyraźnie inspirowany morzem - w przestrzeni dominują zaokrąglone, faliste kształty oraz naturalne kolory ziemi i morskiej flory. Te spójne, ale intrygujące formy, kolory i faktury, zastosowane w całej nieruchomości, dają poczucie komfortu, pozwalając jednocześnie postrzegać przestrzeń w sposób wielowymiarowy.” - wspomina Łukasz Pisarek, główny architekt Zdrojowa Invest.

Urządzony z najwyższą starannością, Hilton Resort & SPA stanowi idealne miejsce dla tych, którzy cenią sobie chwile relaksu w otoczeniu sztuki i światowej klasy designu. Aby zapewnić poczucie luksusu wśród materiałów najwyższej jakości, wiele powierzchni w hotelu zostało pokrytych konglomeratem kwarcowym Silestone by Cosentino w jednym z jego najbardziej eleganckich odcieni - Eternal Calacatta Gold. Materiał ten, zastosowany na wielu płaszczyznach o łącznej powierzchni blisko 700 m2, stworzył – w połączeniu z różnorodnymi teksturami i ciepłymi tonami drewna – mieszankę niezwykle stylowych wnętrz w całym budynku.

Powierzchnie, które urzekają detalami

Tym, co nie może pozostać niezauważone jest niecodzienny sposób obróbki powierzchni Silestone. Zgodnie z głównymi założeniami projektowymi większość struktur w hotelu ma zakrzywioną formę przypominającą falę. Te organiczne kształty otulono białym konglomeratem kwarcowym z szaro-złotą żyłą, osiągając tym samym wyjątkowy efekt gry światła i objętości.

“Eternal Calacatta Gold is a beautiful and impressive texture. Silestone’s quality could be seen, for example, in the rounded elements that had to be fabricated with highest precision and attention to details. Its production is very similar to work with natural stone – it allows you to freely finish the edges whilst keeping the original design of the material.” – says Dariusz Drzewiecki, Project Managerf of Cloon, fabrication company responsible for preparation of stone surfaces for the hotel

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Idealne kolory do każdej sytuacji

Silestone z białym tłem i delikatnymi szarawymi żyłkami odegrał ważną rolę w określeniu klimatu wnętrz. Został wybrany do wielu zastosowań, od blatów łazienkowych w pokojach i toaletach, powierzchni pokrywających bary, bufety i recepcję, po ekskluzywne wykończenia stolików kawowych lub paneli pionowych. Dzięki zastosowaniu tego materiału nawet najbardziej monumentalne konstrukcje w hotelu sprawiają wrażenie rozświetlonych i subtelnych.

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Łukasz Pisarek

Łukasz Pisarek

Główny Architekt Zdrojowa Invest<br />

Piękno i odporność

Not without a reason Silestone was the material of choice for the work surfaces in the hotel.

„Projekt musiał spełniać najwyższe wymagania estetyczne, a jednocześnie zapewniać trwałość wdrożonych rozwiązań i produktów. Aby to osiągnąć, po etapie projektowania wszystkie propozycje materiałów zostały zweryfikowane przez wykonawców. W wyniku tego procesu niektóre elementy z kamienia naturalnego zostały zastąpione przez Silestone, szczególnie ze względu na jego właściwości i odporność na czynniki zewnętrzne.” - dodaje Łukasz Pisarek.

Hotelowe bufety, blaty łazienkowe, czy meble w salonie SPA podlegają niezwykle intensywnemu użytkowaniu. Struktury te wymagają bardzo trwałego materiału, odpornego na czynniki zewnętrzne, takie jak żywność, płyny lub substancje chemiczne, które mogą łatwo uszkodzić bardziej wrażliwe powierzchnie. Dzięki Silestone wnętrza Hilton Resort z pewnością zachowają swoje piękno przez lata.

Materiały Cosentino użyte w tym projekcie

Calacatta-Gold-silestone

Eternal Calacatta Gold

SILESTONE

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