Image number 32 of the current section of Verdi House in Cosentino Canada

Verdi House

Verdi House

Arquitectura G
Barcelona, Spain

The firm Arquitectura G respects the building’s historical facade and proposes a dwelling pouring out to the backyard.

Image number 33 of the current section of Verdi House in Cosentino Canada

The neighborhood’s urbanistic codes required maintaining the original facade, which has been given a revamp and unified in a white tone. Inside, the floors descend to the rear garden, where the building shows its true scale. The fragmentation of the different levels results in a variety of spatial and visual experiences, thanks to double heights and interior balconies.

The central space connects the various rooms and is crowned with a large skylight that floods the entire complex with daylight. The dominant white is only interrupted by the ocher of the flooring and the constant presence of plants both inside and out, pervading all the spaces and playing a fundamental role in the house.

Image number 34 of the current section of Verdi House in Cosentino Canada
Image number 35 of the current section of Verdi House in Cosentino Canada
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Image number 37 of the current section of Verdi House in Cosentino Canada
Image number 38 of the current section of Verdi House in Cosentino Canada
Image number 39 of the current section of Verdi House in Cosentino Canada
Image number 40 of the current section of Verdi House in Cosentino Canada
Image number 41 of the current section of Verdi House in Cosentino Canada
Image number 42 of the current section of Verdi House in Cosentino Canada
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Image number 48 of the current section of San Juan de Ruesta Chapel in Cosentino Canada

San Juan de Ruesta Chapel

San Juan de Ruesta Chapel

Sergio Sebastián 
Zaragoza, Spain

Within a series of interventions along the French part of the pilgrims’ route to Santiago de Compostela, features this hermitage refurbishment

Image number 49 of the current section of San Juan de Ruesta Chapel in Cosentino Canada

Facing the Leyre mountains amid elms and oaks, this hermitage is known for having once harbored a major collection of Romanesque paintings. Deprived of its old purpose and paintings, the building was abandoned in 2001 and fell into ruin. Sebastián Arquitectos undertook the project of restoring its original massing and giving pilgrims a new shaded spot to stop for a rest.

The new roof is set on the old one with a composition of horizontal lines that give continuity to the bond of the original masonries and putlog holes. The plane of the intervention is slightly set back from the line of the preexisting wall. On the outside, stones salvaged from demolished parts of the hermitage are positioned in an orderly pattern that invites visitors to enter the old chapel.

Image number 50 of the current section of San Juan de Ruesta Chapel in Cosentino Canada
Image number 51 of the current section of San Juan de Ruesta Chapel in Cosentino Canada
Image number 52 of the current section of San Juan de Ruesta Chapel in Cosentino Canada
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Image number 56 of the current section of San Juan de Ruesta Chapel in Cosentino Canada
Image number 57 of the current section of San Juan de Ruesta Chapel in Cosentino Canada
Image number 58 of the current section of San Juan de Ruesta Chapel in Cosentino Canada
Image number 59 of the current section of San Juan de Ruesta Chapel in Cosentino Canada
Image number 62 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada

Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022

Cosentino Group, the Spanish global leader in the production and distribution of innovative and sustainable surfaces for the world of architecture and design, reveals incredible product innovations across its Silestone® by Cosentino and Dekton® by Cosentino portfolios at the Kitchen & Bath Industry Show (KBIS) in Orlando, Florida on February 8-10, 2022 in booth #W1401.

Image number 63 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada

Most notably, at KBIS 2022, Cosentino celebrates a significant milestone in its sustainability journey: 100% of all Silestone® colours manufactured by Cosentino are made with HybriQ® by Silestone® technology. Revolutionizing the quartz surfaces and engineered stone industry, HybriQ® is the first sustainable technology of its kind and is a result of Cosentino’s investment of more than €12 million euros and over 1,200 hours of research and development.

HybriQ® involves two important elements: a new production process for manufacturing Silestone® and a new product composition. At the production level, HybriQ® allows materials to be manufactured using 99 percent reused water and 100 percent renewable electric energy while producing no particle emissions and zero water discharge to ensure the atmosphere and local water sources are not polluted. In terms of composition, HybriQ® uses a new hybrid formulation of raw mineral materials and recycled materials, while delivering equal or better performance as quartz and maintaining the technical performance and timeless beauty Silestone® is known for. Beyond HybriQ, Cosentino has also introduced HybriQ+, an elevated version of this innovative technology that maintains a minimum of 20 percent recycled raw materials in its composition. Finally, this new composition dramatically reduces the presence of crystalline silica to make fabricating the product safer than ever, with a maximum of 10 percent (HybriQ+®) or 50 percent (HybriQ®), compared to 80 percent - 100 percent for others in the industry. Furthermore, the sustainable composition of Silestone® made with HybriQ®, including its durability and resistance, has been verified by the third-party DNV GL Business Assurance.

“2022 is a pivotal year for Cosentino, and we couldn’t be prouder to announce that all Silestone® colours produced by Cosentino are made with HybriQ® or HybriQ+® technology. The world has changed, the consumer has changed, and responsible, sustainable solutions are now a necessity,” said Eduardo Cosentino, CEO of Cosentino North America. “While this milestone is just one of our many sustainability-focused initiatives, it’s a critical step forward for Silestone® and for the industry as a whole, as we continue to demonstrate that it’s possible to create sustainable products without compromising on design or performance.”

Image number 64 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada
Image number 65 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada

Silestone® Sunlit Days and Ethereal with HybriQ® Technology

Two of the first Silestone® collections made with the new HybriQ® by Silestone technology are on display for the first time at KBIS 2022, following their launch in the summer of 2021, to allow attendees to see the collections’ design details and unique textures first-hand.

Silestone® Sunlit Days is Cosentino’s first-ever carbon neutral collection. With a robust colour offering inspired by nature in the Mediterranean, Sunlit Days includes five hues: Faro White, Cincel Grey, Arcilla Red, Cala Blue, and Posidonia Green. The new colours offer a wide range of applications that can serve not only as countertops but also as backsplashes or wall cladding in high-moisture or high-traffic areas.

  • Cala Blue (pictured left) is a deep, sophisticated hue that evokes thoughts of the sea, with a texture inspired by the gentle caress of the Mediterranean waters.
  • Cincel Grey is a fine-grained, silky grey - a balance between warm and cool that comes to life when bathed in light. It is neutral and versatile with a soft, soothing texture.
  • Faro White represents the white of the Mediterranean and its sun-drenched walls, symbolizing purity, simplicity and serenity. Inspired by lighthouses, this colour is characterized by its silky, smooth texture.
  • Posidonia Green honours the plant that makes its home underwater along the channels of the Mediterranean. Joy and nature come together in this colour with the power to surprise and hypnotize.
  • Arcilla Red (pictured right) celebrates the earthy red hue synonymous with the Mediterranean landscape. It delights the senses with a delicate texture that serves as a compelling contrast to the burst of colour it brings to a space.
Image number 66 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada
Image number 67 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada

Silestone® Ethereal is marble-inspired and includes four colorways: Dusk, Haze, Glow and Noctis. The Collection offers an artistic interpretation of the fleeting, heavenly patterns cast in the sky. It showcases fine lines in deep hues against a white canvas that captures the interplay of colour and light seen from dawn to nightfall.

  • Ethereal Dusk supports an urban look, with the blue tone of its veining bringing a modern and avant-garde touch to the space. It symbolizes a unique, unforgettable, and personal sunrise.
  • Ethereal Haze (pictured left) features a dynamic range of grey tones to emit plenty of personality, while conveying a sense of calmness thanks to the interplay of gradients, which blend into pure neutrality.
  • Ethereal Glow offers pure, classic elegance. An evolution of the internationally acclaimed Silestone® Eternal Calacatta Gold, its golden and grey veining brings colour to every corner, inspired by the sunset.
  • Ethereal Noctis (pictured right) is synonymous with sophistication. The tinged white foundation is broken up with short grey and black veins, providing contrast, depth, and modernity and is inspired by the darkness after sunset.
Image number 68 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada
Image number 69 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada

Dekton® Gocce Shower Trays and Silestone® Evita Bathroom Sinks 

Dekton® Gocce Shower Trays and Silestone Evita Bathroom Sinks offer stylish and cohesive design solutions with unmatched durability to elevate any bathroom space.

The Dekton® Gocce Shower Tray Collection provides a simple yet functional tray design that can easily be adapted into any bathroom space. Available in three Dekton colours (Kreta (pictured above left), Aeris, Rem) and two size formats, Gocce offers a hygienic, stylish, and sleek shower tray manufactured with Dekton Grip+ for safety and slip-resistance. The ultra-lightweight trays have a perfected slope for optimal water flow and are only 20 mm thick.

The Silestone® Evita Bathroom Sink Collection provides a visual unity and seamless integration with the surrounding countertop through a jointless design. The sink can mesh perfectly with the vanity or serve as an accent piece in the bathroom. Made from a single piece of Silestone®, the sleek design eliminates the joints between pieces to ensure perfect cleanliness and hygiene. The collection is offered in three Silestone colours (White Zeus (pictured above right), Eternal Statuario and Eternal Desert Silver) and comes available in a range of custom countertop sizes.

Image number 70 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada
Image number 71 of the current section of Cosentino announces industry-leading sustainability milestone and celebrates new product innovations at KBIS 2022 in Cosentino Canada

Dekton® ONIRIKA 

Previewing for the first time at KBIS and launching in summer 2022, Dekton® ONIRIKA is an immersive collection designed by award-winning interior designer Nina Magon, which combines the unique beauty of stone with Dekton®’s unmatched technology. Cosentino and Magon have come together to create an eye-catching collection inspired by marble patterns and immersive living with daring colours that represent the ethos of both brands: sustainability, forward-thinking innovations, and timeless elegance.  Additionally, this collection is entirely carbon neutral, as all Dekton solutions achieved this certification in 2020.

Pictured above from Left to Right:

  • Neural combines elegance and structure to bring peace and joy, calm sensations, and an overall feeling of well-being into a space. With fine, pale veins crossing the marbled pattern - the design creates a fascinating neural network, which teleports us into a white dream. It is best suited for bright, neutral spaces with soft textures, light colours, and wooden or metallic accents.
  • Lucid displays many shades, reflections, and glints of colour to create an illuminative perception of colours best combined with wood, grey and gold shades, and frosted glass.
  • Awake is a re-interpretation of the precious Paonazzo stone. It features thick veins of light greys, an exquisite oxide terracotta, and a hint of subtle, inky blues. This iteration pairs beautifully with white, neutral tones, light wood, and golds of any shade.
  • Trance features fine warm streaks that move between oxides and fade to reddish gold, combining perfectly with reddish oak wood and darker walnut tones. Blue furniture and warm golds in pale finishing bring sleekness to this vibrant colour.

For more information about Cosentino's participation at KBIS 2022, follow along on social media: 

Image number 72 of the current section of House No. 1 in Cosentino Canada

House No. 1

House No. 1

Pachón–Paredes
Madrid, Spain

Panchón Paredes have transformed, refurbished, and adapted the interior, exterior, and in-between spaces of a dark and compartmentalized 1978 dwelling.

Image number 73 of the current section of House No. 1 in Cosentino Canada

The new configuration addresses the needs of the occupants, who wanted a place in which to live, work or exercise. The spaces are neutral, flexible, and adaptable to genealogical changes and their consequences. The original perimeter has been broken up by courtyards, terraces, and balconies, and each level is divided longitudinally into two bays measuring 3.5 and 5.5 meters, with an 86-centimeter level difference.

In this way, what was a dark, much partitioned old residence is now open and bright, and the staircase is no longer a spatial and lighting obstacle but an essential heterogeneous space. All the strategies applied were aimed at making the new spaces as bright as possible, and with a palette of neutral materials, so it’s the inhabitants and their belongings that will fill the place with color.

Image number 74 of the current section of House No. 1 in Cosentino Canada
Image number 75 of the current section of House No. 1 in Cosentino Canada
Image number 76 of the current section of House No. 1 in Cosentino Canada
Image number 77 of the current section of House No. 1 in Cosentino Canada
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Image number 79 of the current section of House No. 1 in Cosentino Canada
Image number 80 of the current section of House No. 1 in Cosentino Canada
Image number 81 of the current section of House No. 1 in Cosentino Canada
Image number 82 of the current section of House No. 1 in Cosentino Canada
Image number 83 of the current section of House No. 1 in Cosentino Canada
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Image number 86 of the current section of House No. 1 in Cosentino Canada
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Image number 92 of the current section of House No. 1 in Cosentino Canada
Image number 93 of the current section of House in Grandola in Cosentino Canada

House in Grandola

House in Grandola

Bak Gordon Architects
Grândola, Portugal

Bak Gordon Arquitectos came up with this geometrical composition of abstract volumes that rises in the landscape of southern Portugal’s Alentejo region.

Image number 94 of the current section of House in Grandola in Cosentino Canada

The Portuguese firm headed by Ricardo Bak Gordon designed this residence located in a vast plain of the Alentejo region, a territory characterized by its different tones of red and brown dotted with the green of holm oak trees. The south wall rises from a pool of water like a sounding board for the whole landscape.

The more social spaces are laid out behind this wall, while the private rooms are placed in the other wing, lit by an inner courtyard. The shape and geometry of the spaces, the abstraction of the openings, and the building’s immersion in the landscape – owing to the earthy colors of the lime mortar – all contribute to a unique sensory experience.

Image number 95 of the current section of House in Grandola in Cosentino Canada
Image number 96 of the current section of House in Grandola in Cosentino Canada
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Image number 99 of the current section of House in Grandola in Cosentino Canada
Image number 100 of the current section of House in Grandola in Cosentino Canada
Image number 101 of the current section of House in Grandola in Cosentino Canada
Image number 102 of the current section of House in Grandola in Cosentino Canada
Image number 103 of the current section of House in Grandola in Cosentino Canada
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Image number 108 of the current section of House in Grandola in Cosentino Canada
Image number 113 of the current section of Floating Building in Cosentino Canada

Floating Building

Floating Building

Ayllón Paradela de Andrés
Madrid, Spain

Floating Building was designed as a container for the intended program and also for unexpected, indeterminate uses.

Image number 114 of the current section of Floating Building in Cosentino Canada

The scheme drawn up by the Madrid firm Ayllón Paradela de Andrés showed a container of multiple overlapping scenarios. Use adaptability over time was key. It envisioned a basic dwelling where server elements were reduced to the minimum in favor of free, open, flexible served spaces. In essence, the objective was to maximize opportunities to accommodate multiple and different uses, so that the residents would be able to live as they chose, undictated by the building.

To subtly blend into the neighborhood and address the environment, the house uses the traditional materials that predominate in the area’s buildings, but on a contemporary note. It rises in a way that frees up the ground level and forms an intermediate space for the entry, a large threshold that is part of the courtyard into which the entire site has been turned. The domestic space is inside a ‘floating volume’ and the basement is a workplace beside a generous English courtyard.

Image number 115 of the current section of Floating Building in Cosentino Canada
Image number 116 of the current section of Floating Building in Cosentino Canada
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Image number 119 of the current section of Floating Building in Cosentino Canada
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Image number 123 of the current section of Floating Building in Cosentino Canada
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Image number 125 of the current section of Floating Building in Cosentino Canada
Image number 126 of the current section of Floating Building in Cosentino Canada
Image number 135 of the current section of Grotto della Roccia in Cosentino Canada

Grotto della Roccia

Grotto della Roccia

Enrico Sassi
Lugano, Switzerland

Enrico Sassi has revamped this historic building, located in Gandría and with privileged views of Lake Lugano, after over a century of abandonment.

Image number 136 of the current section of Grotto della Roccia in Cosentino Canada

Though the building was in a poor state, the Swiss firm proposed to preserve its original appearance as much as possible, and defer to the history and landscape of the spectacular enclave. Intervention would be limited to consolidating what already exists, delicately enlarging the exterior terrace, and internally connecting the three levels with a new staircase.

The three levels are a basement with a barrel vault excavated in the rock, a ground floor, and an upper floor formerly reachable only from outside. Some walls inside were torn down to show the rock of the site and to build the new staircase in exposed reinforced concrete. Everything else has been either left as is or restored.

Image number 137 of the current section of Grotto della Roccia in Cosentino Canada
Image number 138 of the current section of Grotto della Roccia in Cosentino Canada
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Image number 146 of the current section of Grotto della Roccia in Cosentino Canada
Image number 152 of the current section of MG08 in Cosentino Canada

MG08

MG08

BURR
Madrid, Spain

MG08 is an architectural intervention that yields a flexible dwelling, divisible into different units in accordance with the needs of the residents.

Image number 153 of the current section of MG08 in Cosentino Canada

The Madrid firm BURR proposes a departure from the deep-rooted concept of ‘building a home for a whole lifetime’ through a house that can be adapted to the owners’ changing socioeconomic circumstances and address their future needs. MG08 thus opens up a wide range of possible ways to occupy one same ground-level space that previously served va-rious purposes (industrial, commercial, sports), the memory of which is deliberately evoked through the chosen gamut of materials.

María Guerrero is a house split into two. It currently harbors two dwellings, each with a patio of its own, enabling the proprietors to inhabit one half and rent out the other, and in that way shoulder the costs of acquisition and construction. In future the wall separating the two homes can be torn down, making the property a single residence with a large courtyard and a study-cum-bath opening out to the street; a larger house with two bathrooms and a small business space, ultimately a single home.

Image number 154 of the current section of MG08 in Cosentino Canada
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Image number 171 of the current section of Bitelhaus in Cosentino Canada

Bitelhaus

Bitelhaus

Alric Galindez
Buenos Aires, Argentina

Bitelhaus proposes a new concept of weekend houses, one where versatility, low maintenance, and openness to the exterior take priority.

Image number 172 of the current section of Bitelhaus in Cosentino Canada

On the outskirts of Buenos Aires, the house by Alric Galindez is a bold and elegant single linear volume set perpendicularly to the street to get the best orientations and respect the mighty trees preexisting on the plot. The whole facade presents a system of mobile panels that ensures low maintenance and makes the building easy to open out to the garden and close up when not in use.

The linearity facilitates organization of the domestic program, allowing a half-covered space to be the house’s main room and distribution area, and maintaining indoor climate through cross ventilation. Continuous barrel vaults have different curvatures. This creates different environments, regulates the entrance of light and the flow of air, and generates a rhythm through the entire interior.

Image number 173 of the current section of Bitelhaus in Cosentino Canada
Image number 174 of the current section of Bitelhaus in Cosentino Canada
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Image number 185 of the current section of Bitelhaus in Cosentino Canada