Liquid Sky furniture by JAM KOLEKTYW - JAM KOLEKTYW WORKPLACE MEETING ROOM 03 31

Liquid Sky furniture by JAM KOLEKTYW

Case Study

A minimalist furniture collection with fluid lines

Jam Kolektyw

Liquid Sky furniture by JAM KOLEKTYW - JAM KOLEKTYW WORKPLACE MEETING ROOM 03 53

Placering

Warsaw, Poland

Materialer

Dekton

farve

Liquid Sky

Tykkelse

20 mm

Arkitektur/design

Jam Kolektyw

Anvendelse

Tables, Coffee Tables, Console Table

End date

2021

Unique and inspiring furniture by Jam Kolektyw

Jola Skóra and Anna Olga Chmielewska, founders of the creative studio Jam Kolektyw, have put their expertise in architecture and design into practice with the launch of their own furniture collection. Two table models and a console table make up this collection in which the original Dekton Liquid Sky colour is the main material.

‘We have long been in love with the technique of marbling, in which dyes are applied to create an image that is then transferred to paper. The Cosentino pattern refers to this technique, but comes in an incomparably more durable material. Dekton Liquid Sky stole our hearts from the first moment we saw it,’ the designers explain. ‘We love the fact that it does not pretend to be anything, or to imitate natural stone, but rather is its artistic and original interpretation.’

Liquid Sky furniture by JAM KOLEKTYW - JAM KOLEKTYW WORKPLACE POPUP 06A 55

A very versatile table

The largest piece in the collection is a table almost 2 metres long that floats on a base of white steel legs. The Liquid Sky table top gives this lightweight table a swirling, marbled, cloud-like appearance, thanks to this colour that pays homage to swirling energy and perpetual motion. The designers themselves have used this large table in their studio in the centre of Warsaw for meetings, workshops and presentations.

Combinations for indoors and outdoors

In addition to being an interesting work table, it also fits perfectly in a dining room. As the materials from which it is made are very durable, it can also be used outdoors, such as in a garden or on a terrace. The modern and minimalist style of both the table and the rest of the pieces allows all kinds of combinations with other decorative ideas. The best example is the space chosen by the designers for the presentation, an old house in which original features can be seen and in which the pieces provide a dialogue between shapes, colours and textures.

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‘We like Dekton for its sophistication and functionality. We are looking for this type of solution, a good balance between aesthetics and ease of use.’
Jola Skóra and Anna Olga Chmielewska

Jola Skóra and Anna Olga Chmielewska

Coffee tables and console tables

Two coffee tables with a very subtle, lightweight metal frame and a small console table in the same style round off this furniture collection. Their shape was designed with complete creative freedom, so that these pieces are perfectly suited to different spaces. The tables can be used as single pieces to decorate a space or as a two-tier set. ‘We have been long on the lookout for suitable furniture shapes that work well in interiors of various styles, from classic to eclectic and original. We could not find our dream solutions, so we decided to design them ourselves. This is how the collection was created, which we hope to expand with new pieces,’ the designers conclude.

Anvendte Cosentino produkter i projektet

Liquid Sky

Liquid Sky

DEKTON

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Unique materials for a highly versatile house

Case Study

Unique materials for a highly versatile house

Villalón Studio

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Placering

Madrid

Materialer

Dekton / Scalea Natural Stone

farve

Taga / Trav Romano

Fotos

Montse Garriga

Arkitektur/design

Villalón Studio

Anvendelse

Kitchen island | Table

End date

2020

Styling

Beatriz Aparicio

A home with plenty of light

Natural light is the main feature of this 230 m2 family home located on Calle San Juan de La Salle in Madrid. The Villalón Studio team needed to create functional and versatile spaces that could suit all members of the family, regardless of the occasion or time of day. To this end, the abundance of light entering the house, thanks to its position, has been key to optimising the space to the maximum and making the most of each room.

For the dining room, María Villalón and her team opted for light cream and grey tones, both for the upholstery of the sofas (Tapicerías Ilarcuris) and the rugs as well as for the walls, flooring and furniture, while darker colours were used for the wood in some of the chairs and for a small bar designed to make and serve cocktails, one of the owner’s passions. Furthermore, rattan plays an important role, as it is found in the doors of the auxiliary unit situated in one of the sides, as well as in the screens, designed by Pablo Yubero, which act as mobile separators that can adapt the room and the lighting, depending on the desired intimacy or openness.

A large travertine table has been chosen as the centrepiece. A unique piece that undoubtedly draws all the attention and gives this space a great prominence, due to the exclusivity and originality of natural stone. The result is a welcoming, ever-changing and stylish space in which works of art such as those by the Gärna Art Gallery and Beatriz Aiguabella add a touch of colour.

An island that brightens up the kitchen

In the kitchen, maximum use has been made of the space, with an island designed with Dekton Taga, from the Stonika Collection, which is characterised by its blend with nature and its high-shine colours. Taga is a greyish colour with marble-like crystalline veining inspired by the Taj Mahal quartzite, which features all the advantages of Dekton surfaces, such as high resistance to stains, high temperatures, scratches and impacts.

On the island, made by Mármoles Cuesta, is the hob and sink area, followed by a small wooden kitchen diner next to some chairs, where you can eat with the family, have a drink with guests while cooking or use it for any other purpose.

The same natural and minimalist style has been used for the bedroom and bathroom, with the main focus on natural elements such as wood in tables and seats, and organic fabrics in cushions, headrests or curtains. In addition, the natural light that enters through the large windows is, once again, the best ally of the spaces, helping to bring dynamism and spaciousness to every corner of this home.

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'Although wood is the main material, it is combined with other materials such as rattan, natural stone or Dekton (in the kitchen island), which allow connect all spaces in the same chromatic range.'
María Villalón

María Villalón

Architect and interior designer

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End date

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Casa Decor, the discovery that shaped a house

The owners of this house were very clear when they visited Casa Decor 2020: they wanted a kitchen with the White Macaubas quartzite by Sensa and they wanted their home to be designed by Gärna Studio.

The couple, with 3 independent children, needed an open plan home with spaces that flow and communicate with each other. A cosy house to welcome their children and grandchildren and spend time together. These were their requests to Laura and Enrique of Gärna Studio, an architecture and interior design studio that the couple already knew well thanks to other projects that the architects and designers had carried out.

The project had two clear objectives: to create versatile spaces that could be used at different times depending on the needs; and to achieve a sense of unity in its design, with little variation in terms of elements and textures. To achieve this, Laura and Enrique looked for materials that were easy to fit and that would serve as a guiding thread between the different spaces. “We also played with different ceiling heights and lighting to achieve a greater sense of spaciousness and functionality, creating a welcoming atmosphere”, says Enrique García, architect and project manager at Gärna Studio.

The kitchen was the key to achieving a welcoming home. “They stressed the importance of the kitchen as a family meeting place to chat and share, and the desire to have an island to sit around while preparing meals”.

The couple visited the Casa Decor 2020 exhibition in search of inspiration and it was there that they fell in love with White Macaubas, the quartzite by Sensa that Gärna Studio had used in their ‘Narciso’ project. Being a natural stone, they were initially unsure about its use in the kitchen, but Laura and Enrique explained the benefits of Sensa’s anti-stain protection, which offers the possibility to enjoy the most unique designs of nature in every space of the house. Thus, this quartzite became the absolute protagonist of the kitchen, covering the central island and part of the floor.

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Natural beauty

For the bathroom in the master bedroom they also opted for Sensa. In this case, the colour chosen was Taj Mahal, an off-white background crossed by soft brown veins. The bathroom countertop, together with the surrounding elements, such as the wallpaper with plant motifs or the wooden furniture, create a pleasant feeling of contact with nature.

The customers wanted a house that was modern but also timeless, so they went for a refined, architectural design with straight lines, based on natural materials such as stone and wood, to which they added powerful and colourful works of art. “Studying the best materials to meet the specific needs of this family made the project very enriching”, says Gärna Studio.

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“Sensa is a ‘lifesaver’. As designers, we have a tendency to the purity of natural materials, and Sensa provides us with a technical solution to use them in places like kitchens and bathrooms without fear of staining”.
Gärna Studio

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Arkitektur/design

Gärna Studio

Anvendelse

Kitchen island  

End date

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Versatility as a home philosophy 

A house for everyday life with children, spaces for meeting friends and a vision for the present and the future in every corner. These were the requests of the owners of this house located in Madrid, whom Laura and Enrique of Gärna Studio accompanied throughout the entire process, from the purchase itself, in which they took into account the architectural potential of the house, to the final creative touch.

The structure of this large house fitted perfectly with the classic contemporary style that the family was looking for, which aimed to create versatile spaces with a vision for the future.

“We try to create homes and spaces that can easily evolve, with well-designed and timeless elements that serve as a base on which to add decorations that adapt over time: wallpaper, cushions or a lamp”, says Enrique García, project manager and architect at Gärna Studio.

The first floor is very spacious and bright and features interconnecting rooms. This area is devoted to daytime living and includes the living-dining room, which has a small bookcase on one of its sides and a fireplace clad in natural stone that helps to create a cosy and homely atmosphere.

The centre of attention: the kitchen island 

From the living-dining room we can see the centrepiece of the kitchen, a large central island in Dekton Kelya. The majestic island was designed by Gärna Studio, who relied on the versatility and uniqueness of Dekton for its successful design.

“We were looking for a powerful element that would be able to reflect our connection to art”, says Enrique.

The kitchen was key for this family, as they were looking for a place to share time, eat, welcome guests or do homework with the children. In addition, its visual perspective from the living room and the terrace offered the possibility to show its importance, both in terms of functionality and design.

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“The fabricator recommended Dekton for the kitchen island, as it is a very easy material to work with. Thanks to its strong personality, the Kelya colour was perfect for us.``
Gärna Studio

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Entente cordiale

The owners of this house, located in a privileged position near Madrid, had been living in the USA for many years. When they came back to Spain, they were very clear about three things: they wanted a house in which black tones stood out, both in the architecture and interior design, that reflected the North American volumetric codes and that was very well interconnected. They needed the architect, interior designer and landscape designer teamed up to give meaning to the project. “As they had been living abroad for a long time, they didn’t know exactly who would be able to meet their demands, so they decided to launch a tender”, explains interior designer Raúl Martins.

“Although we were given total freedom to propose different solutions, they were strict about the colour. Obviously, such requirements can make a project more complicated, but also much more interesting. I believe that an architect or interior designer has a duty to be empathetic with the customers and to look for the best solutions to meet their needs”. In the search for these solutions, the collaboration with architect Francisco Noguera was key. The design of the space was complicated at an architectural level, as it was necessary to minimise the impact of a black exterior in a sunny city like Madrid, but also at a volumetric level.

“It was very enriching working with Francisco. I love the architects’ view of scale, the importance they give to finishes and their concern for the interaction between materials”, says Raúl. This was especially important in the common areas of the house, where the architecture is sometimes more similar to that of a hotel, with ceilings of up to 5 metres. “The works were difficult. It took two and a half years to complete. But the result was better than the owners expectations. They were delighted with the integration between the shape of the building itself, which has a surface area of 2,200 m2, the interior design and the landscaping work by Fernando Pozuelo, which gave context to the whole”.

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Large proportions, large formats

The large open areas required a large-format floor to emphasise the generous proportions. It also needed to be very hard-wearing and feature a range of black tones and subtle veins. “Given all these limitations, I decided to visit Cosentino City Madrid. As always, the team of advisors helped me to find a selection of samples suitable for the project”, he explains. They finally opted for a floor in Dekton Keranium, which with its 320 x 144 cm format and matt finish, achieved the desired effect.

The high resistance to scratches and stains of this ultra-compact surface, together with the possibility of a clean installation and minimal joints, made Dekton the most suitable material for a living area designed to welcome guests.

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“The team of advisors at Cosentino City Madrid helped me to find the most suitable material for my customers needs”.
Raúl Martins

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{{Interview with architect Walter Schelle: “Dekton, aesthetic and functional”}} - Friedrich Scharl 265

{{Interview with architect Walter Schelle: “Dekton, aesthetic and functional”}}

Interview with architect Walter Schelle: “Dekton, aesthetic and functional”

Kap West
Tyskland

How façade expert Friedrich Scharl reduced weight and costs with Dekton on KAP WEST in Munich

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The façade of the new office complex at the Hirschgarten in Munich has a modern, urban look. The original plans using concrete or artificial stone, however, would have made it difficult to meet the tight schedule and to keep within budget. Façade expert, Friedrich Scharl, found an alternative which impressed the architects and developers: the ultra-compact surface Dekton by Cosentino.

Mr. Scharl, you did the technical designs for the façade on KAP West. What was wrong with the original plans?

FS: The weight and the costs. The building was designed with a ventilated curtain façade. The parts of the façade with triple glazing and stone-covered pilasters would have been completely preassembled before delivery to the site and put into place – it’s a typical process that requires a lot of planning and efficiency. The original plans envisaged the pilasters to be covered by 30 mm-thick, fibre-reinforced concrete or artificial stone. This would have meant that each part of the façade would have weighed approximately 1.5 tonnes. With so much weight, handling becomes difficult and the risk of damage increases. In addition, you need an elaborate substructure. In our case, this would have put the time frame and budget at risk.

So you started looking for a lighter façade covering?

FS: Correct, we needed a material with a high-quality stone look, but one that was thinner, and therefore lighter – and all things considered, at a lower cost. And finding a reliable supplier is not as easy as it sounds. Then we discovered Dekton. This ultra-compact surface is extremely stable and at 12 mm thick, weighing 32 kg/sqm, comparatively light. Even thinner material would have been available too. However, we needed this thickness to insert an undercut anchor on the back. With this it is possible to secure the plates firmly and invisibly on the façade.

What was most convincing material wise?

FS: As well as our chosen design options we also needed approval for the façade. Dekton is certified in accordance with ETA 14/0413 and CE 1220‐CPR‐1459. During tests it was proven that the material can even withstand a scale 7 earthquake. The fire protection class is A2. What was perfect for our project was: If a plate cracks, an integrated glass fibre net ensures that the broken piece is held in place. Thanks to its ultra-compact structure, the material takes in very little water. This means extra protection against weathering such as cold, heat and thermoshock as well as increased shape stability which allows for very close tolerance gaps of just +/-0.5 mm each. As well as the quality of the material, the quality of the supplier was also important to us. Would they be able to delivery 13,000 sqm “in time and quality”?

What impressed you about Cosentino as a supplier?

FS: We went there, together with the developers, the architects and those building the façades, as well as the people from Cosentino in Germany. The production facilities in Spain particularly impressed me. Dekon is produced there at a size of 3,200 mm x 1,440 mm in a continuous process, which means that the plates of one batch have the same quality, texture and colouring. Then follows the individual cutting and post-production work, which in our case means working the edges, mitre cuts, setting the undercut anchors and the clasps. The pre-assembled parts were then stored and delivered to those building the façade piece by piece – this was extremely reliable and in the correct order, which when working with 400 different elements and approximately 15,000 covering parts is a true piece of logistical mastery.

What effect did using Dekton have on the façade?

FS: Dekton looks aesthetically pleasing and is very good functionally. With the low weight of the façade covering, even the subconstruction could be made more simply and lighter compared to the original plans. It is now self-supporting. Using the façade building app in Germany, the aluminium profiles from Wicona were planned with the glazing and insulation, the sun screens and the electrics. Finally, the prefabricated Dekton plates were hung and secured. Each part of the façade is now about one-third lighter than at the beginning of planning. Instead of 1,500 kg, the weight is just 1,000 kg, which made transport and assembly much easier.

Were you able to keep to schedule and within budget?

FS: We had two teams on site, each with three employees. They worked parallel on different parts of the building and crane-operated, placed and assembled the elements in 20-minute intervals – 2,000 elements for about 12,600 sqm of façade in just seven months. It was just like clockwork. In addition, by using Dekton instead of concrete or artificial stone, we were able to reduce the cost by about 20 percent per square metre. The developer is happy since by doing this we kept to budget and schedule.

Mr Scharl, in which situations would you advise planners to take Dekton by Cosentino into consideration in particular?

FS: Dekton should always be considered since it offers a large range of design possibilities and is lighter than stone or concrete. The ultra-compact material is also more resistant and sustainable than glass or sheet metal. What really impressed me was the ability of the company to produce around 13,000 sqm of material with the same quality, colour and texture in less than a week. Not only the production, but also the technical and logistical coordination, as well as the communication with those building the façade and us as the technicians and the architects, was very good and reliable. This is extremely important on a big project like KAP WEST, where planning security in a short time frame makes all the difference and helped all involved do a super job.

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Okko Hotel Gare de l’Est

OKKO Hotel Gare de l’Est

Studiopepe
Paris, France

Studiopepe’s design for OKKO Hotel at Gare de l’Est in Paris seeks to offer each guest a unique experience.

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© Photos: Giuseppe Dinnella

La hotel chain OKKO commissioned Studiopepe to design the lobby and ‘Le Club’ for its new place within the Gare de l’est station of Paris. A feature of all OKKOs, Le Club offers a variety of amenities to serve the needs of clients throughout the day: breakfast and supper, a lounge, business meetings, and leisure activities. The interior is a diaphanous space freely organized by mobile elements like curtains and dividers. Decorative items are added, designed exclusively for the hotel, such as the large chandelier in the lobby or the sofas, besides a selection of Italian-design furniture: San Carlo armchairs by Castilgioni, Boomerang easy chairs by Rodolfo Bonetti, and the Atollo lamp by Magistretti.

The dining area and bar, directly connected to the station, draw inspiration from the shapes of train compartments, including original pieces from the Orient Express that have been restored and incorporated either as art displays or as part of the installations. As for color, the neutral soft tones chosen for the claddings are complemented by neon lights and an illumination that varies as the day goes by, resulting in a dynamic atmosphere. The materials enhance visitors’ tactile experience: Kvadrat textiles combined with velvet, brass, and postmodern-looking surfaces made of terrazzo and linoleum.

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Hilton Spa

Cosentino Flagship Project

Hilton Raises Five Stars with Silestone

Zdrojowa Invest

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Placering

Świnoujście, Poland

Materialer

Silestone

Farver

Eternal Calacatta Gold

Collaborators

Cloon

Arkitektur/design

Zdrojowa Invest

Fotos

JAM Kolektyw

End date

2019

Tykkelse

12, 20 30 mm

Sustainable comfort

In December 2019, the world known hotel chain HILTON opened a new property in Poland, the first “Hilton Resort” hotel in the country. It is also the first Hilton chain facility in Poland built in accordance with LEED ecological certification (Leadership in Energy and Environmental Design).

The property offers its guests a unique hospitality experience with direct neighborhood of wide natural beach and magnificent views of the Baltic Sea. Guests can choose from 173 luxury rooms and suites, each with a private balcony. At their disposal, they have a wide selection of services, including variety of restaurants, bars, SPA as well as access to recreational facilities – Baltic Park Molo Aquapark.

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Hilton Spa - Cosentino Hilton Swinoujscie 02 sRGB Copyrights JAM Kolektyw scaled 357

Eternal Calacatta Gold for a luxury interior design

“The design is closely related with the hotel’s environmental context. The look of the building and its interiors is clearly inspired by the sea – the spaces are dominated by rounded, wavy shapes and natural colors of earth and marine flora. These consistent yet intriguing forms, colors and textures used across the entire property create a feeling of comfort and allow for a multidimensional perception of spaces.” – mentions Łukasz Pisarek, Chief Architect of Zdrojowa Invest.

Decorated with highest attention to details, Hilton Resort & SPA represents a perfect place for those who enjoy a moment of relaxation while surrounded by art and world class design. In order to ensure a feeling of luxury and highest quality, multiple surfaces in the hotel have been embellished by Silestone by Cosentino quartz conglomerate in one of its most elegant patterns – Eternal Calacatta Gold. Almost 700 m2 have been covered with this material, which, used in a wide variety of applications and combined with graceful textures and warm tones of wood, created a blend of ultra-stylish interiors across the entire building.

Surfaces that strike with subtle details

What cannot remain unnoticed is an extraordinary fabrication method of the Silestone surface. Following the main design idea, majority of the structures in Hilton are of curved, wave-like form. These organic shapes have been enfolded by the gold-veined quartz conglomerate, creating an astonishing effect that plays with light and volume.

“Eternal Calacatta Gold is a beautiful and impressive texture. Silestone’s quality could be seen, for example, in the rounded elements that had to be fabricated with highest precision and attention to details. Its production is very similar to work with natural stone – it allows you to freely finish the edges whilst keeping the original design of the material.” – says Dariusz Drzewiecki, Project Managerf of Cloon, fabrication company responsible for preparation of stone surfaces for the hotel

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Ideal colors for every situation

Silestone with white background and delicate greyish veins played an important role in defining the atmosphere of the interiors. It was selected for multiple applications, from bathroom countertops in rooms and toilets, surfaces covering bars, buffets, and reception desk, to exclusive finishes of coffee tables or vertical panels. Thanks to use of this white and elegant material, even the most monumental structures present in the public spaces of the property are perceived as illuminated and subtle.

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``Eternal Calacatta Gold is a beautiful and impressive texture``
Łukasz Pisarek

Łukasz Pisarek

Chief Architect of Zdrojowa Invest

Beauty and resistance

Not without a reason Silestone was the material of choice for the work surfaces in the hotel.

„Project had to fulfill the highest aesthetic requirements and, at the same time, ensure the best durability of implemented solutions and products. In order to achieve that, all material proposals were verified by contractors after the design stage. As a result of this process, some finishes originally designed in natural stone were replaced by Silestone, particularly due to its properties and resistance to external factors.” – Łukasz Pisarek adds.

Hotel buffets, bathroom tops or furniture in a wellness studio are subject to extremely intensive use. These structures demand highly durable material, resistant to external factors like food, liquids, or chemical substances that can easily damage more sensitive surface. With Silestone, the Hilton’s interiors will certainly maintain their beauty for years.

Anvendte Cosentino produkter i projektet

Calacatta-Gold-silestone

Eternal Calacatta Gold

SILESTONE

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